SPRING 2026 Concert

 A graduate of the acclaimed Curtis Institute of Music, tenor Timothy Bentch sang in Hungary for twelve years where critics referred to him as “a treasure in today’s Hungarian musical life”, naming him the most significant “Hungarian” lyric tenor of his generation. He has sung at all the leading venues in this country appearing before presidents and prime ministers with many television appearances and radio broadcasts. At the Hungarian State Opera he premiered new productions as Don Ottavio in Don Giovanni, Belmonte in The Abduction, Nencio in L’Infeldelta delusa by Haydn and the Evangelist in a semi-staged version of Bach’s Saint Matthew Passion.

 Other roles with the Hungarian State Opera include Ferrando in Cosi fan tutte, Tamino in The Magic Flute, Tito in La Clemenza di Tito, and Alfredo in La Traviata. His performed opera repertoire of over 40 roles also includes such roles as Mozart’s Mitridate, Nemorino in L’Elisir d’amore, Edgardo in Lucia, Almaviva in The Barber of Seville, Ismaele in Nabucco, Fenton in Falstaff, Tom Rakewell in The Rake’s Progress, four roles in operas by Benjamin Britten, and numerous baroque operas – Jupiter in Semele, Nero in The Coronation of Poppea, Monteverdi’s Ulysses, and Orfeo – a performance that marked the opening of the new theater in the Hungarian National Palace of the Arts. His performances have taken him to many other countries including the Netherlands, Italy, Spain, Austria, Bulgaria, France, Malta, Israel, Russia, Hong Kong, the UK, Germany, and Costa Rica.

 In symphonic repertoire, he has performed the entire standard repertoire from renaissance and baroque to the large works of Mahler and Verdi. Highlights have included the Evangelists in the Bach Passions, the Dream of Gerontius by Elgar, and Mahler’s 8th Symphony which he recorded for Naxos. This recording was lauded by critics winning the “Recording of the Month” by Stereophile Magazine. Bentch’s performance was described as “bright, confident, and heroic, and his “Blicket auf!” is stunning.” Another critic wrote, “Bentch’s top B-flats and Bs are as heroic as his sweet singing is sweet. His “Blicket auf,” a moment that can cause fear and trembling, is stirring in all the right ways.”

 The BBC Music Magazine praised Timothy Bentch’s “heroic tenor” in Janacek’s Glagolitic Mass recorded with the Warsaw Philharmonic. He has sung with the philharmonic orchestras of Lille, Strasbourg, Avignon, Saint Petersburg (RU), Sofia, Warsaw, the Israeli Chamber Orchestra, Silicon Valley Symphony, South Dakota Symphony, Ars Nova Symphony in Chicago, Costa Rica National Symphony Orchestra and the Hungarian National Philharmonic. He has sung under the batons of Zoltán Kocsis, János Fürst, Ádám Fischer, Tamás Vásáry, János Kovács, John Nelson, Jean Claude Casadesus, Antoni Witt, György Vashegyi, and Delta David Gier.

Tim  is the co-founder of the Crescendo Summer Institute in Hungary, now celebrating its 21st season.